Turgay Yalcin for Twitter
Two names that can be considered misfit on paper have made great music.
Colors
Del Chelito for Preso Ventanilla
Colors is an exceptional addition to Yelena Eckemoff’s discography, and a very clear image of her compositional and piano talents, with all the extras removed. Manu Katché’s contribution bears the hallmarks of his style: tonal color, invention and his inimitable groove. It’s no wonder Eckemoff chose to play live gigs supporting the release, as piano solo, rather than using another drummer.
Michael van Gee for Radio Dreyeckland
What distinguishes the whole CD “Colors” is the radiant lyricism, the orchestral verve and the subtle mixture of styles in her piano playing, which is shown to its best advantage here.
O’s Place Jazz Magazine
There is great interplay between the duo and their music is refreshing, relaxing and enjoyable.
Rainer Guerich for inMusic, issue 105 June/ July 2019
An absolutely recommendable duo recording, which convinces with its tonal colour spectrum and its melody/harmony feeling.
Anja Klein for Melodiva
It is deliberately not intended to be an autobiographical curriculum vitae, yet each title bears a very personal share of Eckemoff. In this way, each colour gets its own independent sound and allows the audience to participate in the composer’s impressions. Despite Eckemoff’s typical rich design, she has created a clear and comprehensible atmosphere that makes this album something extraordinary.
Br5 for Amazon.com
This is a wonderful journey through life, using colors and the feelings they evoke. The pairing of Echemoff’s piano and Kache’s drums make for a sympathetic back and forth that is a joy to experience. Even at 80 minutes overall, I didn’t want the spell that these two weave to end.
Stephen Duff, Radio Adelaide
Yelena implores us that music is an experiential relationship between listener and her vinyl or CD releases. Yelena’s music stimulates the mind, body and soul both through her compositions, artwork and self- penned poetry. Music to be enjoyed beyond the limited trend of streaming. Yelena is a genre defying musician blending her classical roots with jazz influences to create her own sound. Colors is possibly Yelena’s finest release so far whether laying down a solid groove or being playfully introspective she is ably supported by the fine drumming of Manu Katche.
Ulfert Goeman for Jazzpodium
Postmodern abstraction, classical ideas and jazz form an intimate connection in the new Eckemoff/Katche duo, with Katche’s drums and cymbals providing for a firm footing. Here, musicians are at work interacting and finding parallels with each other and creating record’s emotional abundance, all connected to Eckemoff’s lyricism, to the play of various colors, individualistically spanning music into intelligent and homogeneous unity rising from the shared feelings.
Josef Engels for Jazzthing 128
In the 14-part suite “Colors,” the Russian and the Frenchman together color the stages in a woman’s life. Delicate cymbals jingle like the eyelids of a baby in “Pink,” rocky toddler energy determines the driving “Orange,” in “Blue” the play figurines, which the expectant mother builds up in the nursery, come to life. It is a constant give and take between Eckemoff and her delicately melting compositions and Katché, who always remains true to his groove line without slipping into the bold. Even death, which ends the sensitive exchange of keys, drums and cymbals in “Black,” can be endured optimistically calm.
Mark Sullivan for All About Jazz
Colors is an exceptional addition to Yelena Eckemoff’s discography, and a very clear picture of her compositional and pianistic talents, with everything extraneous stripped away. Manu Katché’s contribution bears the hallmarks of his style: tonal color, invention, and his inimitable groove. It is not surprising that Eckemoff has opted to play live shows supporting the release solo, rather than use another drummer.
Günter for Na Dann
…Most contemplative, very fluid long trips in the colorful world. Yelena’s classic training and Manu’s subtle, sensitive accompaniment make this consistently contemplative work nevertheless exciting.
Dr. Bob Weathers for Amazon.com
A duet performance of only piano and drums, like the current recording, is itself exceedingly rare. And this dance of truly companion spirits is precious beyond words. This music serves as meditative backdrop, if one so desires; it is equally deserving of microscopic attention, insofar as two such stellar talents provide respectively an album-length set of in-depth master lessons in musical dynamics, technical acumen, and intensely in-sync interplay. I, for one, found myself in no way longing for any other instrumental accompaniment (in jazz, for example, typically with bass and some type of horn). This meal is complete of itself – soul-satisfying in every way.
Alex Dutilh for France Musique
Recorded on May 2nd and 3rd in France at La Buissonne studios in Perne-les-Fontaines by Gérard de Haro, mixed and mastered by Rich Breen in California, produced by Yelena Eckemoff.
Victor Andries for VicTim of Jazz
A respectable artist who, as tempted in interpretation or composition, would seem to some, always looking for something else, always changing the theme, the sources of inspiration, and the musicians.
Krzysztof Komorek for Donos Kulturalny
Short summary in English: The truism will be the statement about the variability of human life. However, this is the truth of the music of Yelena Eckemoff and Manu Katche. Variety of life colors. Experiences , emotions, moods. Musically, we get a reflection of this image, a wide palette of interpenetrating styles: classic, jazz, blues, rock. And also, and maybe above all, a wonderfully complementary
duet of instrumentalists.
Carol Banks Weber for Festival Peaks
Colors” is more than a contemporary melting pot of fine jazz and classical music, perfect piano pitch, artful, tempestuous variations, impeccable, spacious articulation, seamless transitions — although it is all that. …This album kept me company on many restless nights, thinking about my own life and death. It is another thoughtful, kind, and imaginative play on music, poetry, and art — one rarely visited.
Dan Bilawsky for Jazz Times
Despite having already showcased her classically informed, ECM-influenced aesthetic on more than a dozen albums in the past decade, seeing to everything from accompanying artwork and poetry to composing and contracting, Eckemoff shows no signs of slowing down. The music continues to flow, and her well clearly runs deep.
Dave Rogers for WTJU 91.1 FM
The performances are truly beautiful throughout. Anyone who likes piano whether solo or in a larger setting would certainly enjoy this release.
Raul Da Gama Rosse for Jazz da Gama
Everywhere the music features thoughtful, melodic duets Mr Katché contributing to this music with what can only be described as rhythmic mysticism as he responds telepathically to what Miss Eckemoff sometimes barely suggests. Both musicians continue to ceaselessly ring in the changes in moo, structure and tempo, making for a constantly miraculous programme…..a suite of music captured once again in detail and warmth by incomparable engineering wizardry of Rich Breen; a record to absolutely die for.
Tom McCarter for KZSU Stanford
This is the prolific Eckemoff ‘s first duo album, a piano and drums affair with another topline partner sitting at the kit: Manu Katche, a distinctive drumming stylist and a leader in his own right. five of them on ECM Records. This CD is a panoramic set of Eckemoff originals that affixes different colors to life’s stages. …Eckemoff’s music is often complex and cerebral, drawing on her classical studies in her native Russia, and it frequently leans toward the reflective and inward.
Ron Schepper for Textura
Classical and jazz are the dominant poles of reference on an Eckemoff release, but on this one her playing ventures into blues and even rock’n’roll. In one of the album’s more surprising moves, “Orange” celebrates the joy of youth with the drummer backing the pianists’s rousing lines with a muscular backbeat, while “Indigo” calls forth a soulful, R&B-styled treatment. Colors isn’t without moments of reflection, however, as illustrated by the lyrical, introspective ballad “Blue,” its playful central episode aside.
Dr. Debra Jan Bibel for Amazon.com
Title: Musical Explorations of Hues **** Moscow State Conservatory-trained Yelena Eckemoff has entitled her newly released album “Colors” and I immediately thought of Ken Nordine’s own series of spoken jazz on his series of brief witticisms on hues. Eckemoff with drummer Manu Katché take on 14 colors (including black and white), and package notes have her […]
Jacek Brun for Jazz-Fun.de
Recorded at the studios la Buissonne in Pernes-les-Fontaines in Provence, “Colors” is ambient in the best sense, triggered by the lively interactions between the musicians.
Viktor Büttner for 60MinutenBerlin
I often listened to the album while working on the video and with every listening I liked it better and better. The interaction between the two musicians fascinates me. Yelena Eckemoff’s playing has a different approach, makes it curious. In addition, Manu Katché’s art on the drums. Colors creates a unique mood: contrary, powerfully restrained, beautiful, exciting relaxing …
Dan McClenaghan for All About Jazz
Colors covers a wide range of moods and styles, a mode of operation that can reveal weaknesses in a thematic cohesion. That Eckemoff and Kache avoid this potential hazard over a fourteen song, near-eighty minute set is remarkable. One of Yelena Eckemoff’s finest recordings.
Vittorio Lo Conte for Music Zoom
As with all the works of this pianist, you keep listening to the record until the end being fascinated by her way of making music: between improvisation and composition, classical and jazz, without resembling a crossover project at all! A great record, which has all the qualities to remain among the best things of the current year.
Chris Spector for Midwest Record
A date that feels like a recital, she raises her bar for creating solid sitting down, listening music that may be subtle but commands front and center attention. Real adult music.
Tom Hull on Web
All her original material, duets with the French percussionist, who seems to offer all the help she needs.
Dr. Robert Weathers for You Tube
…This unanticipated surprise of an album: gorgeous piano and nuanced composition meets equally gorgeous and nuanced drumming, care of two of the more extraordinary artists on the planet!.. Ms. Eckemoff and Mr. Katché listen so closely, and interact with such exquisite sensitivity, that it becomes difficult to even separate them from one another – theirs is an intimacy rarely experienced in any art form… This music serves as meditative backdrop, if one so desires; it is equally deserving of microscopic attention, insofar as two such stellar talents provide respectively an album-length set of in-depth master lessons in musical dynamics, technical acumen, and intensely in-sync interplay… So…prepare yourself for some serious pleasure with an unprecedented album of piano/drum duets that are guaranteed to be timeless.
Robert Ratajczak for Long Play
The artists create an ideal team that drives each other. Katché not only follows the Eckemoff’s keyboard and creates an atmosphere around the piano, but often seems to harmonious and melodic. His charisma and enthusiasm, felt in his playing, perfectly harmonizes with the impressionistic, full of musical poetics style of the pianist. “Colors” is 80 minutes of beautiful and deep music. It is also another proof of Yelena Eckemoff’s unlimited ability in terms of sound creations.