Yelena Eckemoff writes music which is rich in broader atmospheres than is usual in jazz. She moves easily between composed music with something of a modern, impressionistic classical feel to it, and grooves which are thoroughly jazzy, and there is also that feeling of freshness that comes from different cultures mixing together in the music, […]
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Sonically pastoral beauty that delights the senses and evokes the listener in an engaged journey beyond can be found throughout this phenomenal release. … Set to a milieu of expressive percussion and arco textures, Eckemoff traverses the listener through a canvas of beautiful harmonic colors with liberated pianism. Mazur underpins with cymbals in a flurried […]
Pianist and composer Yelena Eckemoff undoubtedly turns heads (and raises many eyebrows) when listeners hear her rare blend of classical chamber music and progressive jazz on her latest CD, Forget-me-not. …Overall, the record is intriguing and intellectually stimulating. At times romantic, often eerie, but always intimate, it’s as though a dreamy mist descends upon you […]
Yelena Eckemoff’s latest offering Forget-me-Not is a jazz and classically infused exploration of beauty, textures and improvisational genius. …With a vast discography, that includes some of the leading figures in jazz today, Eckemoff has clearly established herself as a top ranking composer. The question is no longer whether she can be considered in the ranks […]
Eckemoff’s talents are walking the artistic tightrope of her personal experience in Moscow and that of the form and function of the more traditional western improvisational forms of jazz in the United States… Eckemoff is the type of artist to drive a critic and most major label executives to the nearest ledge as her prolific […]
The ambient soundscapes and eclectic tresses of Forget-Me-Not from pianist Yelena Eckemoff showcases music that stimulates the mind through complex entanglements and ethereally textured chimes reverberating in a broad range of keys and decibels. The improvised parts are proportioned to the structured motifs so the tracks keep their autonomy while maintaining a melodic fluidity.